Lucy Hounsom Interview – Worldmaker

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Lucy Hounsom Interview – Worldmaker

Our latest interview for the Writers of Fantasy podcast is with Lucy Houndsom. She is the author of the Worldmaker series as well as a co-host of the amazing podcast Breaking the Glass Slipper.

There were some technical difficulties with my microphone, but Lucy’s is fine and that’s what matters. We talked about representation of disabilities in fantasy, feminism, bookselling, and a huge range of issues. Lucy is an amazing writer and her advice is great to hear for any aspiring authors or even established ones.

[Listen here]

Links:

Lucy’s website: Here

Facebook: Here

Breaking the Glass Slipper: Here

RJ Barker interview: Here

Riding the Red Dragon by Maria Talvela: Here

Anna Smith-Spark Interview

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Anna Smith-Spark Interview

My guest this week is Anna Smith-Spark! She is the author of the Court of Broken Knives. She has previously been published in the Fortean Times and the poetry website greatworks.org.

We talk about gender in fantasy, writing, characters and world building. Also there are some jokes about Tony Blair.

[LISTEN HERE]

anna-smith-spark-author-photo-1I first met Anna on a panel at FantasyCon2015. I believe it was gender and sexuality representation Sci-Fi and Fantasy. I remember a point being made that we hope to one day not have these panels because the issue will have become accepted as representation begets representation.

But we still do get them – I did one at BristolCon this year. We talk about what Anna thinks of the progress that’s been made since and how we may have taken backwards steps recently.

We also delve into the Court of Broken Knives as Anna gives us insights into how she wrote it and where her characters came from.

You can find Anna online here:

courtofbrokenknives.org

https://www.facebook.com/anna.smithspark

 

 

V. E. Schwab Interview

V. E. Schwab Interview

For this week’s episode of the Writers of Fantasy Podcast, I got to talk to Victoria Schwab, aka V.E. Schwab. She is an American fantasy author best known for her 2013 novel Vicious, the Shades of Magic series, and her children’s and young adult fiction.

We had a really good, long talk about world building, characters, writing, and gender issues in science fiction and fantasy. Listen here, and there are some key quotes! Check it out!

[Listen here]

On The Near Witch and How a Writer changes

I started out when I was quite young, and I wrote my first book when I was nineteen. The Near Witch was the second book I’d ever written, and I was twenty-one! And I’m now thirty! There’s some growth that happens, I’ve not got thirteen books published, and obviously you grow and change as a person.

I get asked often ‘do you go back and look at your previous work and think of things you would do differently?’ The honest truth is that I kind of look at each and every one of my books as a time capsule of who I was and what I was capable of doing. So, I never want to change any of them, as The Near Witch is a capsule of who I was in college and what I was studying and what excited me.

Whereas The Shades of Magic series and The Monsters of Verity series are just as much time capsules of who I was and what I was going through while doing a Masters Degree on depictions of monstrosity. And I was travelling a lot. So, they’re precious to me in different ways.

Monsters and Villains

Certainly with something like Vicious, which is about villains, and villainy. About the arbitrary labels that we apply to heroes and villains. It’s a book about personal vendettas, and who is a hero and who is a villain. Is it determined by where they fall on opposite sides of this argument? In that book, specifically, I wanted to play with the idea [of villains].

I sat down and thought ‘wouldn’t it be a fun challenge to write a book without heroes?’ Could I write a book without heroes and make the reader strongly root for one of the villains? It was a craft exercise in learning it’s not what our characters do, it’s not what we do as people, but why we do it. Motivation Vs action.

Sometimes I do sit down and think. There’s always a seed. I gather ingredients for a story until I have enough to make a meal. But I think there’s always that one ingredient that’s the core, bonding thing.

[More]

Foz Meadows – Writers of Fantasy Interview

atyrannyofqueens_144dpiFoz Meadows – Writers of Fantasy Interview

A new series of the Writers of Fantasy Podcast from Scifi-fantasy network!
Joel Cornah talks to Foz Meadows, author of An Accident of Stars! Foz is a genderqueer author, blogger, essayist, reviewer and poet.

In 2014, she was nominated for a Hugo Award for Best Fan Writer for her blog, Shattersnipe; she is also a contributing writer for The Huffington Post and Black Gate, and a contributing reviewer for A Dribble of InkStrange Horizons and Tor.com.

Give the episode a listen here, or on iTunes! There’s a transcript below.


READ THE TRANSCRIPT

I’ll be on Manchester North FM

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Yes, this Saturday (14th January 2017) I will be on Manchester North FM! I’ll be interviewed for Hannah’s Bookshelf, a lovely show about, well, books.

We will be talking about The Sea-Stone Sword, The Sky Slayer, and probably The Miliverse as well. There’s also a section about what books I’d save during the apocalypse, so I’ve been agonising over that for the past couple of weeks. Let’s hope I don’t ruin society for post-apocalyptic humanity.

Having listened to other episodes of the show there’s no knowing how much ground we will cover. Writing, education, my dyslexia, cats, the interview series, who knows?

The show will be on Manchester North FM

Saturday 14 January, 2-4pm

On 106.6FM (if you’re in the North Manchester area) or listen online (if you’re further afield)

Gemma X Todd – Writers of Sci-Fi Interview

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This week’s Writers of Sci-Fi interview is with Gemma X Todd. She is an author, Mobile Librarian and LEGO enthusiast! Her new books, The Voices series, begins with Defender, which comes out in January 2017! So be on the lookout!

As a librarian and all round cool person, she has plenty of unique perspectives on the state of sci-fi and fantasy in the book world. Check it out!

1) Can you remember your earliest writing projects? If so, do you see any common themes that have followed through into Defender, and The Voices series?

defender-coverThe first “serious” project was a fantasy book I tried to write when I was fourteen. In the opening chapters, I killed off the main character’s family, so even back then I was all about the gore and violence and putting people through terrible ordeals. Honestly, though, I spent more time drawing the map for the story than actually writing it (see pictures). So, in terms of themes: violence, the predilection for killing people, and the loss of loved ones, all transferred over in to DEFENDER.

2) The Voices is going to be a quartet (or possibly a quadrilogy); how did you decide on that as the format for the story?

It decided for me, really. DEFENDER was initially a standalone story (which is why it reads so well as a standalone book with a satisfactory resolution at its end), but when I finished it, the characters wouldn’t leave me alone. They had a lot more to say and do, and there are a lot of questions that still need to be explored. The world I had created was so rich in possibilities I’d have been crazy to stop at just one.

3) What part of writing are you most comfortable with? Dialogue, prose,
characterisation, plot, etc.?

I’ll rank them in order of preference: characterisation, prose, plot… … … … … … … dialogue. I don’t hate dialogue – it plays an extremely important role – but I spend a lot of time writing it and then re-writing it then reading it aloud to myself before cutting half of it out. My main characters, however, are like family. I know what choices they’d make in any given situation. And plot is fine – I don’t tend to plan very much, but I am a huge film fan, and I do believe that over many, many years of watching thousands of movies, techniques such as story arcs and plot devices and pacing have all seeped into my subconscious.

[Read More]

Mary Robinette Kowal Interview Writers of Fantasy

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“Alien is a big old puppet show” says Kowal. She talks the Glamourist Histories, theatre and more. Mary Robinette Kowal interview for writers of fantasy.

Mary Robinette Kowal is a multi-award winning author, best known for the Glamourist Histories series, as well as being a professional puppeteer. She talked about her writing process, about puppetree, and how even some of your favourite sci-fi movies, like Alien, are big old puppet shows.

Take a listen here, and there is a breakdown of key quotes below for those who can’t listen right away.

On performing arts, puppetry, and writing;

kowal-370“It absolutely affects everything I do because I spent twenty plus years in live theatre. It’s very easy for people to think about puppetry and theatre as being two different things. We jokingly call actors who do not use puppets ‘fleshies’ or ‘meat actors’.”

“The thing about puppetry is much like what happens with science fiction and fantasy. People tend to think of it as something other than literature. That it’s somehow ‘lesser’. We’ve all experienced that when we’ve been telling someone what it is that we like to read. So, for me, one of the things that it has done in terms of influencing the way that I write, that I approach fiction, is that my job is to approach an audience. That’s what I did in theatre, that’s what I’m doing as a writer.”

“If there’s an audience where they don’t like the thing that I do, I try to find a gateway. Rather than trying to convince them that ‘oh no, this is really good’ or being embarrassed about it. You know, a lot of people will pre-appologise for what it is that they love… And that gives people permission to laugh at you.

“Whereas, with puppetry, when people say ‘what do you do?’ and if I say it very matter of factly, I’ve found the same thing is true of my writing. And if I present it as ‘this is the thing, they have to accept it at that point as something that grownups do, because I am, in fact, an adult.”

“They usually respond with ‘oh I used to love that when I was a kid’. I ask them what it is that they like now and then suggest something that they might like that is in my field. That is adjacent to what I like. So, for instance, if someone says ‘I used to love puppets when I was a kid, but now horror is really more my thing.’ I say ‘Have you tried Alien? Because, that’s a big old puppet show.'”

“Have you tried Alien? Because, that’s a big old puppet show.”

“In science fiction and fantasy it’s much the same. If someone tells me they are a romance reader, I am not going to immediately suggest that they read Ender’s Game. That would be a bad fit.”

[Full interview]