Juliet E McKenna – The Green Man’s Heir

Juliet E McKenna – The Green Man’s Heir

A very special episode of the Writers of Fantasy podcast! I interviewed Juliet E McKenna about her brand new book, The Green Man’s Heir. It is a modern day fantasy novel that delves into folk tales and stories against the backdrop of the Peak District countryside.

Juliet talks about the experience of moving from traditional epic fantasy and towards something new. We delve into the treatment of female characters in both epic and modern fantasy, and also dip into police procedurals a bit. It’s a great interview. Check it out!

Links and stuff!

Juliet’s website: http://www.julietemckenna.com/

Buy The Green Man’s Heir: Purchase links – ebook edition
Amazon UK
Amazon US
Barnes & Noble – Nook (US only)
Google Play 
Kobo

Lucy Hounsom Interview – Worldmaker

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Lucy Hounsom Interview – Worldmaker

Our latest interview for the Writers of Fantasy podcast is with Lucy Houndsom. She is the author of the Worldmaker series as well as a co-host of the amazing podcast Breaking the Glass Slipper.

There were some technical difficulties with my microphone, but Lucy’s is fine and that’s what matters. We talked about representation of disabilities in fantasy, feminism, bookselling, and a huge range of issues. Lucy is an amazing writer and her advice is great to hear for any aspiring authors or even established ones.

[Listen here]

Links:

Lucy’s website: Here

Facebook: Here

Breaking the Glass Slipper: Here

RJ Barker interview: Here

Riding the Red Dragon by Maria Talvela: Here

Anna Smith-Spark Interview

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Anna Smith-Spark Interview

My guest this week is Anna Smith-Spark! She is the author of the Court of Broken Knives. She has previously been published in the Fortean Times and the poetry website greatworks.org.

We talk about gender in fantasy, writing, characters and world building. Also there are some jokes about Tony Blair.

[LISTEN HERE]

anna-smith-spark-author-photo-1I first met Anna on a panel at FantasyCon2015. I believe it was gender and sexuality representation Sci-Fi and Fantasy. I remember a point being made that we hope to one day not have these panels because the issue will have become accepted as representation begets representation.

But we still do get them – I did one at BristolCon this year. We talk about what Anna thinks of the progress that’s been made since and how we may have taken backwards steps recently.

We also delve into the Court of Broken Knives as Anna gives us insights into how she wrote it and where her characters came from.

You can find Anna online here:

courtofbrokenknives.org

https://www.facebook.com/anna.smithspark

 

 

V. E. Schwab Interview

V. E. Schwab Interview

For this week’s episode of the Writers of Fantasy Podcast, I got to talk to Victoria Schwab, aka V.E. Schwab. She is an American fantasy author best known for her 2013 novel Vicious, the Shades of Magic series, and her children’s and young adult fiction.

We had a really good, long talk about world building, characters, writing, and gender issues in science fiction and fantasy. Listen here, and there are some key quotes! Check it out!

[Listen here]

On The Near Witch and How a Writer changes

I started out when I was quite young, and I wrote my first book when I was nineteen. The Near Witch was the second book I’d ever written, and I was twenty-one! And I’m now thirty! There’s some growth that happens, I’ve not got thirteen books published, and obviously you grow and change as a person.

I get asked often ‘do you go back and look at your previous work and think of things you would do differently?’ The honest truth is that I kind of look at each and every one of my books as a time capsule of who I was and what I was capable of doing. So, I never want to change any of them, as The Near Witch is a capsule of who I was in college and what I was studying and what excited me.

Whereas The Shades of Magic series and The Monsters of Verity series are just as much time capsules of who I was and what I was going through while doing a Masters Degree on depictions of monstrosity. And I was travelling a lot. So, they’re precious to me in different ways.

Monsters and Villains

Certainly with something like Vicious, which is about villains, and villainy. About the arbitrary labels that we apply to heroes and villains. It’s a book about personal vendettas, and who is a hero and who is a villain. Is it determined by where they fall on opposite sides of this argument? In that book, specifically, I wanted to play with the idea [of villains].

I sat down and thought ‘wouldn’t it be a fun challenge to write a book without heroes?’ Could I write a book without heroes and make the reader strongly root for one of the villains? It was a craft exercise in learning it’s not what our characters do, it’s not what we do as people, but why we do it. Motivation Vs action.

Sometimes I do sit down and think. There’s always a seed. I gather ingredients for a story until I have enough to make a meal. But I think there’s always that one ingredient that’s the core, bonding thing.

[More]

Foz Meadows – Writers of Fantasy Interview

atyrannyofqueens_144dpiFoz Meadows – Writers of Fantasy Interview

A new series of the Writers of Fantasy Podcast from Scifi-fantasy network!
Joel Cornah talks to Foz Meadows, author of An Accident of Stars! Foz is a genderqueer author, blogger, essayist, reviewer and poet.

In 2014, she was nominated for a Hugo Award for Best Fan Writer for her blog, Shattersnipe; she is also a contributing writer for The Huffington Post and Black Gate, and a contributing reviewer for A Dribble of InkStrange Horizons and Tor.com.

Give the episode a listen here, or on iTunes! There’s a transcript below.


READ THE TRANSCRIPT

Rebel Genius by Mike DiMartino – Review

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Rebel Genius by Mike DiMartino – Review

I am a great fan of Mike DiMartino’s work on Avatar the Last Airbender and the Legend of Korra. His book, Rebel Genius, is a solo effort and I approached it with great expectations. Will it live up to those standards? Can Rebel Genius mark the beginning of a new, great young adult series?

The Background

dimartinoIt is difficult to approach this book without making reference to DiMartino’s creative history. His background writing for Avatar and Legend of Korra went hand in hand with his working relationship with Bryan Konietzko.

Between the two of them they developed an incredible world, deep and complex characters, and some unbelievable visuals.

I had often wondered what each member of team ‘Bryke’ brought to the table in Avatar, so this solo effort appealed to me as the chance to see just that.

I will try to treat this book on its own merits rather than making continuous references back to Avatar. But that is difficult for one so familiar with them, and so I will limit my commentary on that. After all, DiMartino has seemingly gone out of his way to distance Rebel Genius from Avatar in a few instances.

Where Avatar was based mostly on near and far eastern culture, history and mythology, Rebel Genius is much more of a Renaissance-inspired world. Moreover, the magical system is less based on martial arts and more on artistic talent and imagination.

That being said, there are still some similarities. There is an evil overlord, much like Fire Lord Ozai; there is a suppression of certain magical abilities, and there is a ‘villain’ who may or may not turn good in the end.

[Read More]

I’ll be on Manchester North FM

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Yes, this Saturday (14th January 2017) I will be on Manchester North FM! I’ll be interviewed for Hannah’s Bookshelf, a lovely show about, well, books.

We will be talking about The Sea-Stone Sword, The Sky Slayer, and probably The Miliverse as well. There’s also a section about what books I’d save during the apocalypse, so I’ve been agonising over that for the past couple of weeks. Let’s hope I don’t ruin society for post-apocalyptic humanity.

Having listened to other episodes of the show there’s no knowing how much ground we will cover. Writing, education, my dyslexia, cats, the interview series, who knows?

The show will be on Manchester North FM

Saturday 14 January, 2-4pm

On 106.6FM (if you’re in the North Manchester area) or listen online (if you’re further afield)

Mary Robinette Kowal Interview Writers of Fantasy

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“Alien is a big old puppet show” says Kowal. She talks the Glamourist Histories, theatre and more. Mary Robinette Kowal interview for writers of fantasy.

Mary Robinette Kowal is a multi-award winning author, best known for the Glamourist Histories series, as well as being a professional puppeteer. She talked about her writing process, about puppetree, and how even some of your favourite sci-fi movies, like Alien, are big old puppet shows.

Take a listen here, and there is a breakdown of key quotes below for those who can’t listen right away.

On performing arts, puppetry, and writing;

kowal-370“It absolutely affects everything I do because I spent twenty plus years in live theatre. It’s very easy for people to think about puppetry and theatre as being two different things. We jokingly call actors who do not use puppets ‘fleshies’ or ‘meat actors’.”

“The thing about puppetry is much like what happens with science fiction and fantasy. People tend to think of it as something other than literature. That it’s somehow ‘lesser’. We’ve all experienced that when we’ve been telling someone what it is that we like to read. So, for me, one of the things that it has done in terms of influencing the way that I write, that I approach fiction, is that my job is to approach an audience. That’s what I did in theatre, that’s what I’m doing as a writer.”

“If there’s an audience where they don’t like the thing that I do, I try to find a gateway. Rather than trying to convince them that ‘oh no, this is really good’ or being embarrassed about it. You know, a lot of people will pre-appologise for what it is that they love… And that gives people permission to laugh at you.

“Whereas, with puppetry, when people say ‘what do you do?’ and if I say it very matter of factly, I’ve found the same thing is true of my writing. And if I present it as ‘this is the thing, they have to accept it at that point as something that grownups do, because I am, in fact, an adult.”

“They usually respond with ‘oh I used to love that when I was a kid’. I ask them what it is that they like now and then suggest something that they might like that is in my field. That is adjacent to what I like. So, for instance, if someone says ‘I used to love puppets when I was a kid, but now horror is really more my thing.’ I say ‘Have you tried Alien? Because, that’s a big old puppet show.'”

“Have you tried Alien? Because, that’s a big old puppet show.”

“In science fiction and fantasy it’s much the same. If someone tells me they are a romance reader, I am not going to immediately suggest that they read Ender’s Game. That would be a bad fit.”

[Full interview]

“Stabbing. A Lot of Stabbing” RJ Barker Interview – Writers of Fantasy

r-j-barkerThis week’s Writers of Fantasy Interview is with RJ Barker, who talks to us exclusively about his debut fantasy trilogy, Age of Assassins! I met RJ at FantasyCon by the Sea earlier this year and knew right from the get go that this is an author who is going places, so we’ve nabbed an exclusive with an author you should deffinately look out for.

If you’re an aspiring author yourself, this interview also touches on the writing process and beyond! Check it out!

Your debut novel, Age of Assassins, is coming out through Orbit next year (2017). What can readers expect?

STABBING. A lot of stabbing. And there’s intrigue and magic and then more stabbing in AoA (which is a quite a cool looking shortening). Also, Mystery. I love 1930’s crime and in a way AoA is based around that idea, sort of Agatha Christie[1]: you have a castle, a cast of characters and you know someone wants someone else dead.

Girton, the lead, is fifteen when we meet him and extremely capable. There’s a fluidity to the action sequences that I think readers will enjoy and they’re backed up by some real emotional heft. Girton himself is likeable, he’s funny and driven to do the right thing even when it’s not in his best interests. One of the first comments I had back was ‘I’d quite like to go for a drink with him[2]’ and I thought, yes, that’s what I’m after, this might be the one. Oh, and antlers. Antlers play a big part in it (as they should in EVERYTHING.)

I like antlers.

How much writing of novel-length had you done before? And do you see common threads and themes in the kinds of things you enjoy writing about?

This is novel number four. The first was rubbish. The second I love but know needs reworking and probably has quite a niche appeal. The third, a space opera, nearly got picked up but in the end wasn’t really commercial enough. It might have been that I could have self published it or found a small press that would have taken a chance on it but when I first started writing seriously I’d made a promise to myself that it would be one of the a big publishers or nothing. It seemed like a completely ridiculous ambition at the time, but I’ve never been short on ridiculous.

As to common threads, I like outsiders but not outsiders in a strong, silent mysterious way. I tend to write people who are outside and wishing they could come in, but don’t know how to do that. Which I think is a feeling we’re all familiar with. And people who are good, because I think generally people are. In a lot of ways the difference between good and evil is more about how much of your own best interests you’re willing to put aside for others than it is about intent.

[Read More]

Juliet E McKenna Interview – Writers of Fantasy

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This week’s interview on Writers of Fantasy is with Juliet E McKenna, author of The Tales of Einarinn, The Aldabreshin Compass, The Hadrumal Crisis and the upcoming Shadow Histories of the River Kingdom, which launched at BristolCon this October!

Juliet is an incredibly thoughtful and talented writer with countless books under her belt. We talked about the changing landscape of fantasy fiction, the rise of eBooks, politics, feminism, Doctor Who, and of course some good old fashioned writers’ advice. Take a listen below! You’ll also find some key quotes under the player for those who can’t listen right away.

[Listen Here]

southern-fire-small-200x300On the new editions of The Alderbreshin Compass and working with Wizards Tower Press.

“Ah, the cover art by Ben Baldwin [on The Aldabreshin Compass] is absolutely fantastic! Those are the covers I’ve wanted for those books since I first wrote them!”

“This is one of the things that happens when you’re a writer who’s been around for quite a long time. When The Tales of Einarinn and The Aldabreshin Compass were written there was no mention of eBooks in my contracts. eBooks weren’t a thing. … So, basically, I retained all those rights. And, unsurprisingly, publishers have come along in recent years and said ‘Do let us do eBooks for you and we’ll give you a whole, oh, 15%!’ to which my response was ‘Thank you, but no!’ Because the returns on something like an eBook edition if you do it independently, obviously if you’re a writer, are very much higher. The trick is, of course, that you need somebody to do all the tech stuff!”

On working with Independent publishers vs bigger publishers.

“When it is one person working with one person on one specific project, we can have an exchange of emails in a morning and get umpteen things sorted out. An editor in a big publishing house is dealing with who knows how many writers, who knows how many books at different stages of publication … Again, a lot of people have to be involved in discussions and decisions and that inevitably builds a time lag into the process.”

[Continue reading…]